Australian Painter, 1827-1886 was an Australian colonial artist. Dowling was born in England the youngest son of Rev. Henry Dowling and his wife Elizabeth, nee Darke. He was brought to Launceston, Tasmania with his parents in 1839 in the Janet. He received lessons from Thomas Bock and Frederick Strange, and in 1850 advertised as a portrait painter. In 1856 Dowling left for London partly with the help of friends in Launceston. He exhibited 16 pictures at the Royal Academy between 1859 and 1882 and others at the British Institute. Returning to Launceston he afterwards came to Melbourne and painted portraits of Sir Henry Loch, Dr James Moorhouse, Francis Ormond, and others. He went to London again in 1886 but died shortly after his arrival. Dowling was a conscientious painter of figure subjects, often scriptural or eastern.   Related Paintings of Robert Dowling :. | Group of Natives of Tasmania | Tasmanian Aborigines | An afternon siesta | John Ware | Mis Annie Ware |
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Richard Doyle
1824-1883 English caricaturist, water colorist, and illustrator. He was the son and pupil of John Doyle, a popular caricaturist. His Journal (British Mus.), a book of sketches done at the age 15, shows his extraordinary precocity. He worked on the staff of Punch (1843?C50),
Marin, John
American Painter, 1870-1953 American painter and printmaker. He attended Stevens Institute in Hoboken, NJ, and worked briefly as an architect before studying at the Pennsylvania Academy of the Fine Arts in Philadelphia from 1899 to 1901 under Thomas Pollock Anshutz and Hugh Breckenridge (1870-1937). His education was supplemented by five years of travel in Europe where he was exposed to avant-garde trends. While abroad, he made etchings of notable and picturesque sites
Jacques Courtois
(also called 'il Borgognone' or Giacomo Borgognone) (1621 - 20 May 1676?) was a French painter. He was born at Saint-Hippolyte, near Besançon. His father was a painter, and with him Jacques remained studying up to the age of fifteen. Towards 1637 he went to Italy, was received at Milan by a Burgundian gentleman, and entered, and for three years remained in the French military service. The sight of some battle-pictures revived his taste for fine art. He went to Bologna, and studied under the friendly tutelage of Guido Reni; thence he proceeded to Rome, where he painted, in the Cistercian monastery, the "Miracle of the Loaves." Here he took a house and after a while entered upon his own characteristic style of art, that of battle-painting, in which he has been accounted to excel all other old masters; his merits were cordially recognized by the celebrated Cerquozzi, named Michelangelo delle Battaglie. He soon rose from penury to ease, and married a painter's daughter, Maria Vagini; she died after seven years of wedded life. Prince Matthias of Tuscany employed Courtois on some striking works in his villa, Lappeggio, representing with much historical accuracy the princes military exploits. In Venice also the artist executed for the senator Sagredo some remarkable battle-pieces. In Florence he entered the Society of Jesus, taking the habit in Rome in 1655; it was calumniously rumoured that he adopted this course in order to escape punishment for having poisoned his wife. As a Jesuit Brother, Courtois painted many works in churches and monasteries of the society. He lived piously in Rome, and died there of apoplexy on 20 May 1676 (some accounts say 1670 or 1671). His battle-pieces have movement and fire, warm colouring (now too often blackened), and great command of the brush, those of moderate dimensions are the more esteemed. They are slight in execution, and tell out best from a distance. Courtois etched, with skill twelve battle-subjects of his own composition. The Danzig painter called Pandolfo Reschi in Italy was his pupil. His brother Guillaume was also a painter in Italy.